Did you know that I was a world-famous rock star?

Well WORLD and FAMOUS may be pushing it, but, really, take a listen. We were pretty dang good.

I did some solo recording and also played with the celebrated
Millennium (with Joey Stec, Lee Mallory, Dough Rhodes, Ron Edgar, Michael Fennelly, and Curt Boettcher) and Sagittarius.

Click on the covers below to learn more and purchase these albums. Here are some juicy riffs from reviewers:


 
 
About my solo album Sandy (my nickname!)...

 "Musically, the album is luminous, hallucinatory, and full of typically cherubic sweetness... simply joyous and celebratory, nowhere more than on the bouyant cover of the Beach Boys' "With Me Tonight" (renamed "On and on She Goes")... Salisbury's performance is just as bouyant and accomplished throughout, and if it threatens to burst the album at its seams, it is also what makes this such a satisfyingly unforeseen delight." — Stanton Swihart from
All Music Guide

 
Sandy
 
falling to pieces Falling to Pieces

This is a Japanese release. 17 tracks including two from my 1968 solo album that wasn't released until 2000, the ballad 'Cecily' and 'Do Unto Others'. Produced by Curt Boettcher (The Association), me, and The Millennium.


 

 
A review of Falling to Pieces                                           ~ Thom Jurek,  All Music Guide

"Here are slices of California '60s and '70s pop that never were -- at least not then. Guitarist, songwriter, and vocalist Sandy Salisbury of California almost-legends the Millennium wrote dozens of songs and recorded them demo-style on a sound-on-sound tape recorder in his California beach house before turning them over to his publisher, who did absolutely nothing with them because he was instructed by the band's producer and arranger, Curt Boettcher, to shelve them for further band productions. What Boettcher essentially accomplished was keeping under wraps pop songs that would have -- if "Love Grows Where My Rosemary Goes" is any indication -- landed Salisbury near the top of the pop heap. The sense of hook, the clean, gorgeous vocals, the sappy melodies, and the Baroque stylings of these songs make them all ready for pop heaven. This collection brings 17 such songs -- and in some cases actual demos -- together in a portrait of Sandy Salisbury as an equal of people like P.F. Sloan and John Phillips, if not Brian Wilson. And the injustice continues, because this music isn't available in the U.S.A., where it was made, but on this expensive Japanese import that's not likely to make its way into the hands of anyone who isn't seeking it out like the Holy Grail. Here's the deal: this is magical, beautiful, and yes, sappy pop music. It's lush, textured, and overly sentimental, as innocent as it gets, and as pretty as it gets. I can see someone like Beck freaking out over music like this -- and he should. Falling to Pieces is for anyone interested in the glories of late-'60s through mid-'70s pop. This is the real stuff; find it at all costs. The 2002 version of Falling to Pieces on Rev-Ola adds half a dozen additional cuts from the same era, though oddly it also removes one, "Married to the Wind", that appeared on the 2000 Archive edition.

 
About Begin by The Millennium:

 "This record can truly be described as a bona fide lost classic. The brainchild of producers Curt Boettcher and Gary Usher...hard rock, breezy ballads, and psychedelia all merge into an absolutely air-tight concept album... The songwriting, mostly by Joey Stec and Curt Boettcher, is sterling and innovative, and yet never strays into the area of psychedelic overindulgence which marred so many records from this era. An absolute necessity for any fan of late-'60s psychedelia, and a wonderful rediscovery that sounds as vital today as it did the day it was released." --Matthew Greenwald from All Music Guide
'begin' by the millennium
 
'magic time:  the millennium/ballroom sessions Recently released:

 Magic Time: The Millennium/Ballroom Sessions

"The most comprehensive set of Ballroom and Millennium material ever assembled: a three CD set with nearly three dizzying hours of music, produced by Curt Boettcher and Keith Olsen, whose dazzlingly inventive soundscapes and choral arrangements pushed the boundries of music far beyond the breaking point to create a perfect hybrid of Sunshine Pop and Psychedelia, circa '65-'68." -- Sundazed (record label)
 
Also check out:

Present Tense by Sagittarius

'present tense' by sagittarius
 
'again' by the millennium Again by The Millennium

Some Music Related Links:

Joey Stec's Sonic Past Music
"The Millennium and Sagittarius" from Ready Steady Go!
Curt Boettcher at Spectropop
The Millennium Home Page

 
 
 

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