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Did you know that I
was a
world-famous rock star?
Well WORLD and FAMOUS may be pushing it, but,
really, take a listen. We were pretty dang good.
I did some solo recording and also played with the
celebrated
Millennium (with
Joey Stec, Lee Mallory, Dough Rhodes, Ron Edgar,
Michael Fennelly, and Curt Boettcher) and
Sagittarius.
Click on the covers below to learn more and purchase
these albums. Here are some juicy riffs from
reviewers:
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About my solo album
Sandy (my nickname!)...
"Musically, the album is
luminous, hallucinatory, and full of typically
cherubic sweetness... simply joyous and celebratory,
nowhere more than on the bouyant cover of the Beach
Boys' "With Me Tonight" (renamed "On and on She
Goes")... Salisbury's performance is just as bouyant
and accomplished throughout, and if it threatens to
burst the album at its seams, it is also what makes
this such a satisfyingly unforeseen delight." —
Stanton Swihart from
All Music Guide
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Falling
to Pieces
This is a Japanese release. 17 tracks including two
from my 1968 solo album that wasn't released until
2000, the ballad 'Cecily' and 'Do Unto Others'.
Produced by Curt Boettcher (The Association), me,
and The Millennium.
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A review of
Falling to Pieces
~
Thom Jurek,
All Music
Guide
"Here are slices of California '60s and '70s
pop that never were -- at least not then.
Guitarist, songwriter, and vocalist Sandy
Salisbury of California almost-legends the
Millennium wrote dozens of songs and
recorded them demo-style on a sound-on-sound
tape recorder in his California beach house
before turning them over to his publisher,
who did absolutely nothing with them because
he was instructed by the band's producer and
arranger, Curt Boettcher, to shelve them for
further band productions. What Boettcher
essentially accomplished was keeping under
wraps pop songs that would have -- if "Love
Grows Where My Rosemary Goes" is any
indication -- landed Salisbury near the top
of the pop heap. The sense of hook, the
clean, gorgeous vocals, the sappy melodies,
and the Baroque stylings of these songs make
them all ready for pop heaven. This
collection brings 17 such songs -- and in
some cases actual demos -- together in a
portrait of Sandy Salisbury as an equal of
people like P.F. Sloan and John Phillips, if
not Brian Wilson. And the injustice
continues, because this music isn't
available in the U.S.A., where it was made,
but on this expensive Japanese import that's
not likely to make its way into the hands of
anyone who isn't seeking it out like the
Holy Grail. Here's the deal: this is
magical, beautiful, and yes, sappy pop
music. It's lush, textured, and overly
sentimental, as innocent as it gets, and as
pretty as it gets. I can see someone like
Beck freaking out over music like this --
and he should. Falling to Pieces is for
anyone interested in the glories of
late-'60s through mid-'70s pop. This is the
real stuff; find it at all costs. The 2002
version of Falling to Pieces on Rev-Ola adds
half a dozen additional cuts from the same
era, though oddly it also removes one,
"Married to the Wind", that appeared on the
2000 Archive edition. |
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About Begin by The Millennium:
"This record can truly be
described as a bona fide lost classic. The
brainchild of producers Curt Boettcher and Gary
Usher...hard rock, breezy ballads, and psychedelia
all merge into an absolutely air-tight concept
album... The songwriting, mostly by Joey Stec and
Curt Boettcher, is sterling and innovative, and yet
never strays into the area of psychedelic
overindulgence which marred so many records from
this era. An absolute necessity for any fan of
late-'60s psychedelia, and a wonderful rediscovery
that sounds as vital today as it did the day it was
released." --Matthew Greenwald from
All Music Guide
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Recently released:
Magic Time: The Millennium/Ballroom
Sessions
"The most comprehensive set of Ballroom and
Millennium material ever assembled: a three CD set
with nearly three dizzying hours of music, produced
by Curt Boettcher and Keith Olsen, whose dazzlingly
inventive soundscapes and choral arrangements pushed
the boundries of music far beyond the breaking point
to create a perfect hybrid of Sunshine Pop and
Psychedelia, circa '65-'68." --
Sundazed (record label)
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Some Music
Related Links:
Joey Stec's
Sonic Past Music
"The Millennium and Sagittarius"
from Ready Steady
Go!
Curt Boettcher at
Spectropop
The
Millennium
Home Page
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Website designed by
PMC
Computer Graphics |
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